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With recall sessions booked in the hall for more days of recording to make sure the full timbral 'gallery' of sounds was captured, the Spitfire team then cut, and polished again. Every sample has been cut, cleaned and refined and placed gently in a queue waiting for implementation, experimentation and review by the whole Spitfire team and Mr Zimmer himself. The Spitfire team of over a dozen highly qualified editors has spent nearly 12 months treating each sample like a little rough diamond, carving and polishing it by hand. From a huge array of round robins, dynamic layers, staccato and long notes to some extraordinarily detailed studies in the quietest layers of the piano, and a vast collection of effects and additional techniques. The piano, a world class stretch concert grand, was played utilising a mixture of technical wizardry and dogged performing talent to produce literally days of recordings. HZP features the combined signals of over 60 microphones passing through the unique Air “Montserrat” pre-amps via a Neve 88R desk into Prism AD converters. That this project would give him what he needed as a composer, to inspire, to write and to create masters from a wonderfully recorded and performed set of recordings. With Hans having used and favoured certain piano VIs over the years a careful plan was calculated to make sure this once-in-a-lifetime project would yield success.
FREE RAVENSCROFT 275 PIANO CRACKS SERIES
Over a series of impassioned phone calls with Spitfire director Paul Thomson, it was agreed a no-holds-barred approach was required.
So Hans pondered, what if I could capture that degree of inspiring potential, box it and take it anywhere? These brief solitary sojourns at the piano often produced a spark of inspiration for his next Oscar-nominated blockbuster score. Over the last two decades of producing oscar-winning and world-renowned scores, Hans had often stolen a rare moment of downtime to play the glorious piano in the inspiring setting and luscious acoustic of the hall at Air Studios. Offer must end midnight GMT of 26th December 2015. This library embodies what Hans described as a “once-in-a-lifetime" opportunity to create a top-of-it's-class writing tool for discerning composers the world over.Īvailable today for the introductory promotional rate of £229 (roughly $349, €319) down from an RRP of £299 (roughly $450, €419) and for a short time only.
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Recorded in the Hall at Air Studios over many weeks, with Hans' crack team of engineers, and the award-winning Spitfire crew. It's not a pure science and all these programs require a little fiddling around to get the best performance for a given system.Īlso, try dropping the sample rate down to 44.1k or 48k because 88k is going to tax your CPU.In his fourth collaboration with Spitfire Audio, the legendary trailblazer Hans Zimmer presents the ultimate piano library. Try other settings like "Fast 7200 RPM drive" and see how that or something else works. You might want to experiment a little with that setting. So, for Ravenscroft, did you select SSD in the UVI interface and select 256mb as the default Cache Size under the Streaming tab? So yes, memory will help as the programs will try to load more data into memory and stream less from disk but you will always be streaming from disk.
I wanted to make sure you know that both Ivory and Ravenscroft do stream from disk. Apologies, I missed your post regarding dropped notes.
FREE RAVENSCROFT 275 PIANO CRACKS MAC
My mac guy has a lot of experience and is also a musician/studio guy. Maybe the USB connection is a bit of a bottleneck. I am using Ravenscroft right now with an external SSD drive connected through USB.
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